By the Numbers

Here is a new track I made, featuring more use of my harmonic ratio arpeggiator.  I was also using my Pitch Bend Tuner to tune my hardware synths to the microtonal pitches the arpeggiator was generating.  An interesting aspect of making tracks with the ratio arpeggiator is that there are no longer any “notes” in the traditional sense.  They are notes just the same, but I’ve gotten to the point where I stop thinking about normal note names, and have started to get a sense of how different numbers will sound.  For instance, higher numbers are generally more dissonant, and numbers with common divisors (or factors, or whatever you call it–i’m not a mathematician) generally sound good together.  An interesting new world!

A diagram from Harry Partch's book, "Genesis of a Music" showing different ratios' correspondence to notes in an equal temperament scale

A diagram from Harry Partch's book, "Genesis of a Music" showing different ratios' correspondence to notes in an equal temperament scale

Here is the track:

Solar Flare MP3 Audio

I quite like how this track turned out–I will probably be including a longer, more structured version of this in an upcoming release.

Let me know if you like it, and enjoy!

Greetings from the Lab

I had some time last week or two to sit down and work out some tracks, and thought I’d share them up here.  I make a lot of tracks, of differing lengths, levels of detail, and spend more or less time on different ones.  Many tracks are the kind that I put together in an evening after work or during a free afternoon on a weekend.  I’ve been working on an album, but lately, have been busy buying a condo in downtown seattle!  Anyhow, i’ve been feeling creative lately and here are a few tracks that I think turned out well.

Rat's nest behind the lab

Rat's nest behind the lab

As always, these tracks are free to share and listen for noncommercial purposes, but please let me know if you’re using them. Enjoy!

Kenny G In the Panama  (dont’ ask)

Whispers 

Diversion 

Atonality Verge  - This is a track that I made with the Harmonic Ratio arpeggiator that you can find here on this blog.

Moses  - an experiment with making evolving melodies in Numerology

Let me know what you think :).

Launchpad in Numerology!

The most recent release of five12 Numerology included full support for the Novation Launchpad.  It’s amazing!  Here is a demo of myself using it to sequence a track.  This track is a little bit long, but I am sequencing all the patterns and mixing everything live, so it takes a while, and I mess around with some of the different features of the launchpad support just to show some things.

 

There are a lot of different features hidden away in the launchpad support, and I didn’t get to all of them.  But I hit on the main ones.   You can completely sequence and arrange a track all from the launchpad without even touching numerology, after setting up your numerology patch!  

 

 

For this track, I was using Reaktor for some sampling and effects, and my waldorf microwave and roland mks-70 for synthesis.  Everything was sequenced and mixed in real time, no edits or overdubs.

 

Track: Floating Ship

A track I made recently.  Doesn’t really fit in with the album I’m working on, but I liked how it turned out.  So here it is!

 

floating ship!!!

floating ship!!!

MP3 Audio for “floating ship”

The technical details:  The synth bass sound was Roland MKS-70, Vocal sampling done in Reaktor, Drums done in the Nord G2, and I believe that digital sounding pad (if I remember right) was done with my waldorf microwave.  That crusty digital percussion sound in the background was G2 as well, I think.

Reaktor Modular Sequencing, Pt. 2

Well, looks like my weekend project has been working on my modular sequencing application for Reaktor.  I’ve detailed what this is all about in my previous blog.  I’ve updated the sequencer and added some detailed comments on all the GUI elements to help people get up to speed with using it.

some sequencer objects, including a scale quantizer with probabilities!some sequencer objects, including a scale quantizer with probabilities!

I’ve included a handful of useful modules.  These modules are meant to be added and removed at your convenience to suit whatever purpose.  Ideally, you could create multiple instruments holding these sequencer modules, and have them sent to various different devices, and store the different instruments in different Reaktor panelsets.

I’ve created a quick demo track to show some of the things the current sequencer modules can do, and this is only a small fraction of the possibilities.  This track is Reaktor sending midi to my G2 modular on two different midi channels.

“reaktor sequencer chaos” mp3 audio

All modules have their own independent pattern lengths and step speeds. Included modules are a 6 channel drum sequencer, 3 kinds of gate sequencers, a “control” sequencer, a numeric sequencer, an LFO module for triggering sequences, a tempo modulation LFO, and a scale quantizer for making melodies with.

the drum sequencerthe drum sequencer

I plan on making more modules:  Some random trigger modules, ratio sequencers, and so on, as well as MIDI automation stuff for sending CC messages, program changes, and also a snapshot sequencer for automatically changing the reaktor snapshots while the sequence is running.

anyway, let me know what you think, and I am especially interested in other people trying their hand at making some of their own sequencer modules too :).

Here is a link to the reaktor ensemble:

Reaktor Modular Sequencer Beta 2

Modular Sequencing: Structures and Sounds

Over the past year I have been using and loving five12’s modular sequencing application, Numerology.  Numerology introduced me to the idea of modular sequencing.  I even posted a full review of the program here:

 

Numerology Review

 

These days, modular synthesis seems damned popular.  There’s an incredible amount of analog synthesis modules available from different companies and everyone and their mother (every rich guy and his mother, at least) seems like they have acquired or are on the road to getting a modular synth.  Well, that’s great, and sure, i’d get one if I could afford it.  To me, though, modular *sequencing* is a lot more interesting than modular *synthesis* right now.

 

 

Modular Sequencing in the nord g2

Modular Sequencing in the nord g2

 With modular synthesis, you design signal paths to create sounds.  But with modular sequencing, you can design sequencer networks to create musical structures!  If you have interesting control data, you can create better sounds.  And if you have interesting structures, you can make sounds  more interesting by creating a compelling musical context for them to exist in.  With a good sequencer, you can send complex control data to even the most boring synth module to make it come alive.

 

There are a few options i know of for doing this kind of sequencing.  Numerology is one of my favorites, but there are other platforms too.  I have been doing a lot of sequencing on my g2 modular, which has excellent sequencing modules that are fast and intuitive to use.  This track, for instance, was completely sequenced from my G2:

 

Archytas’ Alaap Mp3 audio

 

And in case you were interested, this track actually features one of those greek scales I was discussing in my previous blog.  It’s Archytas’ Enharmonic Scale.

 

The g2 costs over $1000, though.  And it’s discontinued.  And Five12’s Numerology only runs on OSX!  What’s a PC user without a g2 system to do?  Well, I’ve been so intrigued by the possibilities that this type of sequencing offers, that I decided to make my own modular sequencing system in Reaktor that is inspired by my experiences with the g2 and Numerology.  So hopefully, i’ll be creating another option for interested parties.  The thing about modular sequencing is that the whole is much more than the sum of its parts.  You can use a few very simple sequencing modules, if you find a clever way to control them, to create very nice evolving sequences.

 

 

snapshot of the beta version of my reaktor sequencer

snapshot of the beta version of my reaktor sequencer

This sequencing system is very much in Beta.  Actually, I just started on it this week.  But hopefully there is going to be more modules soon.  And as soon as I have something more comprehensive going on, I might write up some simple documentation.  So, for now, this ensemble is not for the reaktor n00bs out there.  But feel free to give it a go!  Just have it send midi to somewhere.  Look inside the structure and see where the control data is coming from.  have fun!

 

Here is a very simple demo track I made with this sequencer.  I am only using the “gate seq” and the “control seq” to send a monophonic sequence to my tx81z.  Just an experiment, but I think there is a lot of potential!

 

Reaktor Sequencing Demo

 

Here’s another demo, also, just straight midi being sent to my tx81z:

Reaktor Sequencing Demo 2

 

 And finally, here is the reaktor ensemble:

 

Reaktor Modular Sequencing ensemble (beta)

 

Harmonic Ratio Arpeggiator

I’ve gone on another microtonal trip lately, and have been working with ratios again.  The thing about composing music with frequency ratios is that it places you in a brave new world where each interval is made up of TWO numbers instead of one (as in the traditional system, a fourth, third, fifth, etc).  There are also all kinds of undiscovered tones and frequencies and relationships.  There has to be a way to explore all this!

 

picture of the GUI for the reaktor arpeggiator

picture of the GUI for the reaktor arpeggiator

 

For those of you that aren’t hopeless music nerds like myself, a frequency ratio is just a relationship between frequencies.  It is also the language of a tuning system called “just intonation.”  A basic example:  In the key of A, with the root frequency being 440 hertz, the A in the next higher octave is related to the original note a440 by a frequency ratio of 2/1, and is 880 hz.  A major third is the ratio 5/4, or 550 hertz.  Instead of the normal 12 steps per octave of Equal temperament, there is an infinite gradation of frequencies that you can manipulate to your heart’s content.  

 

With all that freedom comes massive confusion.  I have been trying to come up with some systems for composing with these numbers.  The first most obvious idea would be to just make a fixed scale, choose a few notes, and play with that.  That is fun!  But, it doesn’t take advantage of all the flexibility that working with just intonation truly gives you.  Instead of just choosing 7 or 12 or 10 notes, you can start with a set of 5 notes, and make them mutate and evolve into an infinity of other frequencies, but all logically related by numerical relationships!

 

This is my first system for making melodies and chords in just intonation: a harmonic arpeggiator.  There are two different tables containing numbers for the numerator and denominator, and these tables can be moved through independently, at different speeds.  Midi input triggers notes, but only the time and octave of the input notes is taken, and the rest is controlled by the ratio sequencers.

 

I have implemented this system in both my Nord g2 modular and in Reaktor, so I can make them work together.  

 

Here is a simple melodic sort of track I did with the g2 patch:

Mp3 Audio of “Hydrogen”

 

Here is the Reaktor patch:

Reaktor Harmonic Arpeggiator

 

Here are a couple g2 patches:

G2 Harmonic Arpeggiator with Karpluss Synthesis

 

I will be coming up with more stuff soon!  I want to make some programs that allow you to dynamically change the scale as you play.  Not sure how easy that will be to do in the g2, but I’ll definitely be able to do it in reaktor.

 

anise starscape

Today I picked up a bottle of Pernod at the liquor store.  I’ve been planning on cooking up some mussels with some pernod, fennel, tarragon, and other stuff after eating some amazing mussels at a local Seattle restaurant, “Matt’s in the Market.”  I poured myself a couple glasses of the stuff and got to work on a big crusty ambient groove.

anise

You can hear the track here:

anise Starscape

The track is fairly simple, really just an analog synth (roland mks-70) and some drums (from the g2 modular) run through a big stack of effects.  I’ve been experimenting with the G2’s effects processing abilities, and I’ve been very impressed thus far.  Enjoy!

The Mother Lode

I put this blog up, for the most part, to get people interested in my music.  In general, there is a lot of technical ramblings and audio experiments, as well as synthesis-related stuff on here, and postings about various gear that I use.  I wanted to make a post with just a few more finished-sounding tracks, as differentiated from all the different experiments and random tracks that I’ve uploaded throughout the posts on this blog.

Mother Lode!

Mother Lode!

There’s quite a few good tracks hidden in the blog posts here, and if you click on the category “tracks” to the right, you can sort through only the blog posts where i’ve posted MP3’s of tracks.  But here’s a few other ones, that, for the most part, I haven’t posted here!  There is also a couple repeats, just because I am fond of some of them :).

Here’s a few tracks, showing some of the different kinds of stuff I do.

Among some, I am known for my drones. Here’s one called “Vico Drone” that I did lately.  I have a full length album of drones that I need to find a place to release.  This isn’t on there, though.

Vico Drone

 

I like some classic techno/electronica kinds of sounds.  Here’s a track along those lines.

Aluminum

 

I love ethnic music from all different cultures.  I did an EP that dissapeared into the vapors of the internets, dedicated to some of my favorite music.  Here’s one called “ricemutt visits the monks.”  Don’t ask me to explain the title!!  This track features some of my more “droney” stuff.

Ricemutt Visits the Monks

 

I write ambient music of all shapes sizes, colors, and smells.  Here is just one track from that genre that I wrote.

Mercurian Reef

 

Another homage to music from other cultures… this one samples sounds from malaysian and balinese music.  I called it “bells and sumatra.”  I particularly like this one.

Bells and Sumatra

 

Belonging to a genre that can perhaps only be described as “sci fi synth jams,” is this track, “TX Night.”

TX night

 

Anyway, enjoy the tracks!  Let me know what you think in the comments if you enjoyed them.  And if you want to use them, they are free to use for noncommercial purposes as long as you let me know, and give me credit.

ZymoGenetics!!

zymo

Last year, my friend John Farrell and I did a project for display at my friend’s gallery.  it was a small installation with a video playing on a small old tv, running this video:

There is also a higher quality DIVX version here:

 zymoBoxRender2.divx

If you prefer just the audio of the track, you can hear it here:

ZymoGenetics Mp3 audio